Q: Can you give us more hints?

A: Look for: titles of books, famous people, literary or other and, my favourite bits… do you know what a tableau is?

Q: Explain… for the audience.

A: In Victorian times a group would get together and re-enact a painting.

Q: A Painting?

A: Like the Charge of the Light Brigade. With costumes and props they’d pose and recreate the art in 3D. Living 3D.

Q: No TV back in those days.

A: So, hint: Look for three times when the scene is a re-enactment of a famous piece of art. I feel that some readers would never notice them unless they knew there was something to look for.

Q: Look for a…

A: You’re reading along… I nude guy is described. He’s in a crouched position, fist to his chin and a deep expression on his face.

Q: The Thinker.

A: So now you know what to look for. That one’s not in the book, but I’ve seen it on TV many times. We all see them though sometimes only subliminally.

Q: Subliminally like the sex?

A: Yes, Victorian sex. No overt activity could be described. It’s all suggested. Except for that one time when…

Q: No spoilers.

A: No dirty language, either. I use the word bitch once, but in reference to a female dog. It’s all just suggested. If you hear it or see it, it’s from your own mind. Your own dirty mind.

Q: I must have a dirty mind ‘cause I swear I saw some... well you know.

A: Did you notice the opposites? Maybe I shouldn’t give that away.

Q: Oh, come on, give it.

A: It works on two levels. When Harker travels to Transylvania, in Dracula, he notes the change when the train enters the east from the west. East/west –opposites. RJ takes this wordplay and amps it up to eleven. “… huddled up to the hillside all the way down to the sea.” Up/down, east/west, rich/poor, and, of course, good/evil.

Then there is the deeper level… the Victorian concept of Topsy-Turvy. When up is down. When the sinners are virtuous and the virtuous, sinners. When the lunatics run the asylum.